The work is not signed, titled, or dated.
Painting forms cover of a papier-mache writing case, given to Theodosia Ogilvie, wife of Edward Ogilvie. The painting is attributed to Mrs Bundock (Edward Ogilvie's sister) from information supplied by the donor's husband. Dated from Mrs Bundock's visits to Yulgilbar in 1850 and 1852 (See the Yulgilbar station journal A 6993, pp. 20-22 and pp. 125-148)