HSC: English Extension 2 Students featured in the 2016 wordeXpress Young Writers Showcase share their top tips for success in these short clips. Reflection statements from 2015 - 20189 provide exemplars for this critical element of the major work. Eman's Top Tip Danielle's Top Tip Christina's Top Tip Daisy's Top Tip Emily's Top Tip Charlotte's Top Tips Patrick's Top Tip HSC English Extension 2 Reflection Statements 2019: A beautiful little fool 2019: Conversations in the dreamscape 2019: Dear Reader; 2019: Dream again 2019: Flipping the bird 2019: How to make fetch happen 2019: Instrument 2019: On the authority of authors 2019: Perception and expression 2019: Production and r'production 2019: The divine invasions 2019: To make quiet things heard 2019: Weapons in these teeth 2018: A dangerous artist 2018: A Hool's hope 2018: A letter to the anonymous author 2018: Bobby Sands is doing it for me 2018: Caliphoria 2018: Composure 2018: "Don't quote me on that..." 2018: Down the Rabbit Hole of Mathematical Literature 2018: Forget.me 2018: ‘melaka’s voices’ 2018: Mythrepresentation: Margaret Atwood and Revisionist Myth-Making 2018: Native Titles: a postcolonial evaluation of Indigenous Australian literature 2018: Pindar Drive: Our Unrequited Love for Ghosts 2018: The Director is Dead 2018: The Elusive Self: An Exploration of Humanity’s Manifold Nature 2018: The honeymoon suite 2018: The glass of fashion: Shakespearean tragedy in the scheme of things 2018: Wabi-Sabi: A Suite of Transient Moments 2017: A portrait 2017: Ab(h)ide 2017: Bones of a nation 2017: Death of a talesman 2017: Dent de Lion 2017: Dismantling the Great Wall 2017: En Passant 2017: Expulsion, equilibrium, elucidation 2017: Goorialla's journey 2017: Kami and Murakami 2017: The nexus between language and thought 2017: The sight of women talking 2017: Speaking when speechless 2017: Thaimoli 2017: The Wednesday Shift 2017: Where are we now? 2016: An elusive truth, the surrealist jolt 2016: Beneath the battlefield 2016: Cask wine in plastic cups 2016: He kills her in her own humour 2016: Lights, Camera, Fracture 2016: Nothing but time 2016: Palette of voices 2016: Pandora's pandemonium; Creation, Earth and Legacy 2016: Qualia 2016: She'll be right 2016: Stories of home 2016: The manifesto of Magdalena Carmen 2016: The weight of paper 2016: These memories we carry 2016: This system of subdued agony 2015: A timely death: exploring the tension of absolutes and relativity in literature 2015: At the doors of the house of bread 2015: Dancing with the shadows 2015: Her 2015: Historical perspectives on the female composer 2015: In the light of that dawn 2015: Je ne comprends pas: 'I'm claiming the right to be unhappy' 2015: Lights, passing 2015: On a wing and a prayer 2015: Part of a day 2015: Postmodern gothic cinema: a critical analysis 2015: The caretaker 2015: The golden bough 2015: The Imperial and Colonial conquest of land and women alike 2015: The last Welsh winter 2015: The nature of poetic form: celebrative elegy 2015: To the darkroom: photography and To the Lighthouse 2015: Whatever season reigns... 2014: A long time coming 2014: A multitude of methods to evade the truth 2014: Addiction-ary 2014: Commentary on a Nymphette 2014: The hanged man 2014: In Russia, you must not wake anybody 2014: Just what is it that make today's artworks so different, so appealing? 2014: Lungs 2014: Pamphlets and purple passages 2014: Prufrock Cafe 2014: The road to Molong 2014: Science in a smoke-filled room 2014: Singularity 2014: Translator, traitor 2013: A man for our season 2013: A slice without 2013: Blah, blah black sheep..? 2013: Cloud 2013: Constructing the experience of horror 2013: The craft of translation 2013: esse/sein/est 2013: The great glass elevator 2013: Inhale 2013: Liblotto 2013: On absent voices 2013: Puberty Blues 2013: Pushkin essay 2013: Reading and righting whiteness 2013: Revere 2013: Sponge cake for vultures 2013: Suburban Badlands: Deconstructing Australian Identity on the Big Screen 2013: The teachings 2013: Terra Divis'us 2013: Voices from the cusp 2013: Who's the delivery man?